Hal Leonard Bass Method – Complete Edition: Books 1, 2 and 3 Bound Together in One Easy-to-Use Volume!

Hal Leonard Bass Method – Complete Edition: Books 1, 2 аחԁ 3 Bound Together іח One Easy-tο-Uѕе Volume!

  • 144 Pages
  • Published bу HL
  • BOOK W/CD

Tһе critically acclaimed Hal Leonard Electric Bass Method – Second Edition іח a handy composite edition! Contains 3 books аחԁ 3 CDs fοr Levels 1, 2 аחԁ 3.

Rating: (out οf 47 reviews)

List Price: $ 22.99

Price: $ 13.46

AƖƖ Blues Soloing fοr Jazz Guitar: Scales, Licks, Concepts & Choruses

Tһе mοѕt complete guide tο jazz/blues soloing еνеr written! Tһіѕ comprehensive book details tһе sounds, elements, аחԁ аррrοасһеѕ tһаt mаkе tһе blues such аח integral раrt οf tһе jazz vocabulary. Moving frοm blues progressions tο fingerboard organization tο phrasing, essential blues scales, riffs, lick development, аחԁ аח array οf advanced concepts аחԁ devices, including substitute scales & extended super arpeggios аrе covered. Throughout tһіѕ process 38 solos, over 100 music examples, аחԁ hundre

Rating: (out οf 4 reviews)

List Price: $ 24.95

Price: $ 16.99

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9 Responses to “Hal Leonard Bass Method – Complete Edition: Books 1, 2 and 3 Bound Together in One Easy-to-Use Volume!”

  • Dale King:

    Review by Dale King for Hal Leonard Bass Method – Complete Edition: Books 1, 2 and 3 Bound Together in One Easy-to-Use Volume!
    Rating:
    I have been teaching individual bass and guitar lessons for 10 years now after having taught music (band and choir) in the public school system. I’m always on the lookout for better/more thorough/more complete method books to help my students achieve their goals. I have found this method to be very thorough without being boring. The cd accompaniment tracks are great and I use them as the “test”….the students must play along with the track successfully before moving on. If you are considering this book, you are making a good choice.

  • D. Kolton:

    Review by D. Kolton for Hal Leonard Bass Method – Complete Edition: Books 1, 2 and 3 Bound Together in One Easy-to-Use Volume!
    Rating:
    I enjoy playing drums, but when a nice bass showed up at the local pawn shop, i splurged. Afterwards, I checked out a few volumes by the “names” in bass, but found them either overly complex, or overly exhaustive in information. Ed Friedland put together the “just right” package.

    First off, it does NOT depend on TAB. You start with notes. And even when TAB appears far into the book, it is not necessary as you can still play in notes. And as mentioned below, you get to play “tunes” early one, even if they are very simple. Thus, you get to build a base playing along with the band on the CD.

    Everything progresses cleanly. You get pictures of fingerings, diagrams of fingerings, and (early on) numbering of the fingering of notes under the notes themselves. In other words…

    This is the book you want if you don’t have/can’t have a teacher. It won’t take you all the way there by itself, but you’ll cross a few county lines on the way to the big time!

  • Kyle D. Walker:

    Review by Kyle D. Walker for Hal Leonard Bass Method – Complete Edition: Books 1, 2 and 3 Bound Together in One Easy-to-Use Volume!
    Rating:
    I have used books to improve guitar and piano skills, but I’d never played bass. This book really started me off with a firm foundation. I’m in the third section of the book now and feeling like it’s moving at a good pace. The CD examples cover a wide range of musical styles and are long enough that you can get into the tune before it’s over. Well thought-out instructional design.

  • Raymond L. Reavis:

    Review by Raymond L. Reavis for Hal Leonard Bass Method – Complete Edition: Books 1, 2 and 3 Bound Together in One Easy-to-Use Volume!
    Rating:
    I recently signed up for weekly bass lessons at my local music store, and they sold me this 1st book out of this composite. I was about 1/2 way through book one when I saw this composite version with Accompanying CDs, and I decided to buy it here on Amazon.The lessons can’t be extremely exciting when you’re just learning an instrument, but they have done a good job of choosing lessons that actually have some pretty interesting tunes from various genres of music. They have also interspersed shorter 8 measure excercises with occasional longer numbers of 25 or so measures. This helps the lessons seem less like “drills” and more like you’re actually making progress.When I received this version with the CDs, it made everything even better. To be able to play along with the full instrumentation to the songs in the book really helps, especially in forcing you to keep regular time, since you can’t d r a a a a a g out a measure when the fingering gets tough.I’m a drummer, but one who can read music (yes, there are a few of us), so I can’t vouch for whether there is enough material to teach the uninitiated how to read music notation for time value, but I have picked up a reasonable amount of knowledge of reading music for pitch.

  • Rebecca Wetzel:

    Review by Rebecca Wetzel for Hal Leonard Bass Method – Complete Edition: Books 1, 2 and 3 Bound Together in One Easy-to-Use Volume!
    Rating:
    I looked through several books before I chose this one. I chose this book because it was similar to the book I was given when I started learning the flute many years ago. The book teaches with short song exercises and focuses on learning notes instead of TAB. several reviews below say the opposite but I think they are referring to an earlier edition because the current Hal leonard electric bass method does not introduce tabulature almost the end of part 1 of the 3 part set, forcing you to learn the notes. Even after the introduction of tabs the book only includes them for part of the songs. For me, I think this book was the best choice as a beginner’s bass method but I would not recommend this book to someone who is not already familiar with musical theory or prefers to learn by TAB. This is because the book does not spend much time explaining notation and, as I mentioned, does not use tabs all the time. This book probably would work best in combination with private lessons for students not familiar with theory. This book really heaps on the accidentals within the first half of book one which is very frustrating to true beginners (and even some of us that aren’t).

    I also recommend you get a supplementary book with songs that you actually enjoy playing. The songs in this method are original creations of the author and it gets tedious playing a bunch of melodies you don’t know or care for.

  • Anonymous:

    Review by for All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses
    Rating:
    “All Blues Soloing…” takes you step by step in an easy to understand, logical progression. The writing is clear and not abstruse. Each solo is an excellent example which makes the point of the written section but is also a beautiful, short musical piece which doesn’t sound forced and is fun to play (which you can do along with the accompanying CD, very helpful for those who get the rhythms better by listening).

  • Anonymous:

    Review by for All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses
    Rating:
    I have been using this and the Blues Comping Styles for Jazz Guitar at the reccommendation of my guitar teacher and have found both books to be informative and useful. I am relatively new to guitar playing and have learned some difficult techniques at a rapid pace. My compliments to the author.

  • Jim:

    Review by Jim for All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses
    Rating:
    I’ve looked at many books to improve my improvising skills. I learned more from this book than all of them put together.

  • Charles F. Buccola:

    Review by Charles F. Buccola for All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses
    Rating:
    Don’t let the title fool you — this book is an excellent learning guide for a wide range of guitarsits, not just jazz players. Blues, rock and even country players would beenfit from this book. Ferguson’s narratives are short, clear and to the point. The solo pieces tie nicely with the narratives. Scales, modes, etc. are touched upon in an easily understood and useful manner.

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